Poéticas del malestar. Lectura y escritura intervenidas en María Salgado y Ana Inés López

Authors

  • Falvia Vanesa Garione Universidad Nacional de Mar del Plata

Keywords:

poéticas del malestar, especificidad, experimentación

Abstract

We propose a critical reading about the artistic productions of María Salgado and Ana Inés López. These can be defined as an art of poetry of discomfort, as they question and problematize the concept of “literature”, both from the Poiesis (way of doing) and the Aisthesis (way of being). In this way, both construct a differentiated artistic practice, based on certain unease and discomfort that is manifested in different modes of intervention of the poetic object and its supposed intrinsic “specificity”. In the case of María Salgado, the proposal is achieved by means of experimentation with music and its performative dimension; as for Ana Inés López, she works her poetic writing through platforms linked to the Internet. The central idea of both poets is to alter the textual forms by virtue of different types of media and support, which generates textual objects that undermine the “static” and the “finished” of the poem and the support of the book.

Downloads

Download data is not yet available.

References

Alemian, Ezequiel (2010), “La poética del malestar”, Revista Ñ, [https://www.clarin.com/rn/literatura/poesia/poetica-malestar_0_rk7BEbnaDme.html].

Dolar, Mladen (2007), Una voz y nada más, Buenos Aires, Manantial.

López, Ana Inés (2013), “El campeón existencial”, Determinado Rumor, pp.1-19,[disponible en http://www.determinadorumor.com.ar/poesia/el-campeon-existencia_ai-lopez/].

Rancière, Jacques (2009), La palabra muda: ensayo sobre las contradicciones de la literatura, Buenos Aires, Eterna Cadencia Editora.

-----(2011), El malestar de la estética, Buenos Aires, Capital intelectual.

Reynolds, Simon (2015), Después del rock: psicodelia, postpunk, electrónica y otras revoluciones inconclusas, Buenos Aires, Caja Negra.

Rolle, Carolina (2017), Buenos Aires transmedial, Rosario, Beatriz Viterbo editora.

Salgado, María (2016), 31 poemas, Rosario, Danke.

Szendy, Peter (2003), Escucha. Una historia del oído melómano, Barcelona, Paidós.

Troop, David (2016), Océano de Sonido, Buenos Aires, Caja Negra.

How to Cite

Garione, F. V. (2020). Poéticas del malestar. Lectura y escritura intervenidas en María Salgado y Ana Inés López. Cuadernos Del Sur Letras, (48), 17–28. Retrieved from https://revistas.uns.edu.ar/csl/article/view/2272

Issue

Section

Artículos